English 566

Oakland University
Department of English

Course Information


English 566 -- American Satire

Spring 2004

ED 307, T/Th 6:30-9:50 PM


Brian Connery
521 Wilson Hall, 248.370.2254
T/Th 5:00-5:45, and by appointment
connery@oakland.edu

Course Description:

Texts: We’ll explore satire as a mode or genre in the American tradition in a variety of media (newspapers, prose narrative, film, and standup comedy). While satire, by its nature, tends to focus upon transient events, we’ll be attending in particular to its treatment of enduring issues such as race and ethnicity. Questions raised will include the following: What is the cultural work performed by satire? Is satire anti- democratic? essentially conservative or progressive? Is there a discernible American tradition of satire? What are the relations between humor, satire, persona, and irony, especially in American works? We will also consider the particularly sensitive relation between form and content in satire, including a consideration of the relation between satire and parody. Works and authors considered are likely to include James Russell Lowell’s The Bigelow Papers; pamphlets by Benjamin Franklin; newspaper columns by Fanny Fern; short fiction by Edith Wharton; Mark Twain’s Pudd’nhead Wilson; Nathanael West’s Cool Million; George Schuyler’s Black No More; Ishmael Reed’s Mumbo Jumbo; and short works by Finley Peter Dunne, Langston Hughes, Al Franken, and Molly Ivins; we’ll view films by the likes of Stanley Kubrick (Dr. Strangelove), Robert Downey Sr. (Putney Swope), John Sayles (Brother from Another Planet), Robert Townsend (Hollywood Shuffle), Spike Lee (Bamboozled), and David Byrne (True Stories); and we’ll consider briefly some of the standup work of comedians like Dick Gregory, Lenny Bruce, Richard Pryor, Mort Sahl, and Will Durst. Class format will largely be discussion; students will write and present a report, write two take-home tests, and write a term paper or complete a project.

Note: Satire tends towards tastelessness, and it’s not necessarily funny. You’ve been alerted.



Policies: Faithful attendance and regular participation in class are expected.

Students with special needs are welcome to discuss them with me. Some services for students with special needs are available through the Office of Special Advising.

The grade of Incomplete is available only to students who have demonstrated regular and steady progress in the course but for whom unforeseeable and uncontrollable circumstances make impossible the timely completion of the course. Students must petition in writing for a grade of incomplete.

Students suspected of academic dishonesty will be reported to the Dean of Students and the Senate Committee on Academic Conduct. Cheating on any course assignment may result in failure for the course.

Classroom decorum is everybody’s responsibility. Please arrive on time and plan to stay for the full meeting. Turn your cell phone off for the duration of the class meeting. Work to create a classroom environment in which everybody feels comfortable and unthreatened. In addressing your classmates (or your instructor), in class or on the discussion list, you may argue vigorously, indeed passionately, but please maintain the same respect for others as you wish them to maintain toward you.

TEXTS: Mark Twain, Pudd’nhead Wilson and other tales (Oxford U P); George Schuyler, Black No More (Modern Library); Nathanael West, A Cool Million and the Dream Life of Balso Snell (Farrar, Straus); Ishmael Reed, Mumbo Jumbo; coursepack available at Textbook Outlet Center, at the NE corner of Squirrel and Walton.

Some related links, mostly purportedly satire:

  • Connery's woefully outdated Theorizing Satire: A Bibliography
  • AS@UVA Anthology of Southwestern Humor
  • Scartoons: Racial Satire and the Civil War
  • Jim Hightower's Daily Commentary
  • Tom Toles latest cartoon
  • Tom Tomorrow archives
  • The Onion
  • Satirewire, an Onion wannabe that couldn't
  • Satiresearch.com(edy), a satire search engine ("Like The Onion on crack" -- Library Journal)
  • Welcome to the White House
  • Durst Case Scenario, weekly observations by Will Durst
  • Political cartoons
  • The Guerilla Girls
  • The Yes Men, guerrilla performance artists -- or criminal frauds?
  • Get Your War On, an ongoing saga
  • B.A.S.H., (Baptists Are Saving Homosexuals) -- courtesy of Stacey T.


    Assignments: The following simple formula will determine your final grade.

  • Report -- 20%
  • Test 1 -- 25%
  • Term paper or project -- 30%
  • Test 2 -- 25%

    Schedule: If class is canceled due to snow, tornado, professorial delinquency, or other uncontrollable events, please continue to read according to the dates below. Unless we grow very weary very fast, we will adhere roughly to the following schedule:

    Tuesday, May 4

  • Orientation; viewing of True Stories

    Thursday, May 6

  • Ebenezer Cooke, The Sotweed Factor
  • Benjamin Franklin, “On Sending Felons to America.,” “Rules by Which a Great Empire May Be Reduced to a Small One” and “An Edict of the King of Prussia” (coursepack).
  • Connery & Combe, ““Theorizing Satire: A Retrospective and Introduction” (coursepack)
  • Viewing of Dr. Strangelove

    Tuesday, May 11

  • Mark Twain, Pudd’nhead Wilson, 1-77 (chs. 1-13)
  • Test, “Satire and Ritual” (on reserve in Kresge Library)

    Thursday, May 13

  • Pudd’nhead Wilson, 77-103 (chs. 14-15)
  • Rosenheim, “The Satiric Spectrum” (on reserve in Kresge Library)
  • Viewing of Hollywood Shuffle

    Tuesday, May 18

  • Pudd’nhead Wilson, 103-145 (chs. 16-19)
  • Twain, “The War Prayer” (coursepack)
  • Wickberg, ““The Idea of Humor” and “Humor, Laughter, and Sensibility” (coursepack)
  • Fish, “Short People . . .” (coursepack)
  • Griffin, “Satiric Closure” (coursepack)
  • Of interest but optional: Booth, “The Ways of Stable Irony” and “Infinite Instabilities” from A Rhetoric of Irony (on reserve in Kresge Library)

    Thursday, May 20

  • Fanny Fern, “Hints to Young Wives,” “Women’s Wickedness,” and “Shall Women Vote?” (coursepack)
  • James Russell Lowell, excerpts from The Biglow Papers (coursepack)
  • Finley Peter Dunne, ““War and the War Makers,” “The Rising of the Subject Races,” “The Education of the Young” “The Freedom Picnic,” “A Bit of History,” “The Ruling Class,” and “Socialism” (coursepack)
  • Guilhamet, “Introduction” to Satire and the Transformation of Genre (coursepack).
  • Viewing of Brother from Another Planet

    Tuesday, May 24

  • Term paper or term project proposal, with bibliography, due.
  • George Schuyler, Black No More, 3-136 (chs. 1-10)
  • Dickson-Carr, “Sacredly Profane: Toward a Theory of African American Literary Satire,” (coursepack)
  • Test, “The Trickster and the Spirit of Satire” (on reserve in Kresge Library)
  • Of interest but optional: Elliott, “The Satirist Satirized,” in The Power of Satire and in Satire: Modern Essays in Criticism edited by Ronald Paulson (on reserve in Kresge Library)

    Thursday, May 27

  • Black No More, 137-180 (chs. 11-13)
  • Bogel, “A Theory of Satiric Rhetoric” on reserve in Kresge Library)
  • Viewing of Putney Swope

    Tuesday, June 1

  • Dorothy Parker, “Good Souls” (coursepack)
  • H. L. Mencken, “Professor Veblen” and “The Blushful Mystery” (coursepack)
  • Langston Hughes, “ “The Law” and “Coffee Break” (coursepack)
  • Nathanael West, A Cool Million, 64-143 (chs. 1-22)

    Thursday, June 3

  • Consultation on term paper or term project draft available
  • Cool Million, 143-179 (chs. 23-31)
  • Kernan, “A Theory of Satire” in Satire: Modern Essays in Criticism, edited by Ronald Paulson (on reserve in Kresge Library)
  • Dane, “Parody and Satire: A Theoretical Model” (on reserve in Kresge Library)
  • Viewing of Roger and Me
  • Michael Moore's critics respond on Moore Exposed.

    Tuesday, June 8

  • Test 1 is due.
  • Consultation on term paper or term project draft available
  • Ishmael Reed, Mumbo Jumbo, 3-116 (chs. 1-30)
  • Weisenberger, from Fables of Subversion: Satire and the American Novel, 1930-1980, 1-29 (on reserve in Kresge Library)

    Thursday, June 10

  • Consultation on term paper or term project draft available
  • Mumbo Jumbo, 116-156 (chs. 31-50)
  • Viewing of Bamboozled

    Tuesday, June 15

  • Term paper or term project is due.
  • Mumbo Jumbo, 156-218 (ch. 51-Epilogue)

    Thursday, June 17

  • Ron Jenkins. “America’s Comedy of Detachment” from Subversive Laughter: The Liberating Power of Comedy (on reserve in Kresge Library)
  • Molly Ivins. “Dear Fundamentalists: Tolerance Is not a Dirty Word” (coursepack)
  • Al Franken. “Adventures in Politics, May 4, 1996" (coursepack)
  • Of interest but optional: Hutcheon, “Parody without Ridicule: Observations on Modern Literary Parody”(on reserve in Kresge Library)

    Tuesday, June 22

  • Test 2 is due.
  • Re-viewing of True Stories.

    "George Washington Carver Crossing the Delaware" by Robert Colescott





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