Test 2

English 105                               Test 2  Information                   Winter 2007

 

The second test will be held in our regular classroom.  The morning section’s test will be on Tuesday, April 24, 8:00-11:00 AM; the afternoon section’s test will be on Wednesday, April 25, 12:00-3:00 PM.  I anticipate that it will require about two hours for most students to complete the test.  Please bring a blue examination booklet in which to write your essay.

 

The format of the examination will be similar to that of the mid-term, except that there will be no Literary Terms section:

 

Part 1: Quotation identification--The instructions for the quotation identification section will read as follows: “Identify each of the following quotations as specifically as you can.  Explain what the quotation means, and then explain why the quotation is significant or important in the text in which it appears.”  You will have eight quotations to identify, selected from The Merchant of Venice,  King Lear, and The Winter’s Tale.  Remember that you have three tasks: identification, paraphrase, and textual interpretation.  You may combine two or more of these tasks into one sentence--but in order earn full credit you must accomplish all three.

 

Part 2: Essay--You will be asked to write a 6-7 paragraph, thesis-driven, well-supported, coherent essay in response to a question chosen from among those appearing on the exam.  At least four of the following questions will appear on the exam:

 

1.  Scenes of recognition are one of drama’s most effective means of both representing psychological action on stage and exciting audience interest.  Analyze major scenes of recognition from three or more plays: on the basis of these scenes, what principle(s) might you derive about the effect and usefulness of scenes of recognition in drama?  What might you conclude specifically about Shakespeare’s use of scenes of recognition? 

 

2.  As we’ve noted, throughout his career, Shakespeare provided elements of tragedy within his comedies and elements of comedy within his tragedies.  As his career continued, he grew more experimental with the conventions of the standard genres of comedy and tragedy.  Based on two plays, what would you say are the conventional characteristics of a Shakespearean comedy and of a Shakespearean tragedy?  Within these plays, what elements come from the opposite genre (i.e., in the comedy, what are the tragic elements and in the tragedy what are the comic elements?) and what is the effect of these foreign elements? Based on at least one other play, discuss what happens when Shakespeare blends these modes further in his later plays?  Which do you prefer--the “purer” comedy and tragedy or the mixing of the two?  Why?

 

3.  Shakespeare is notable within his period for the attention given to his female characters.   On the basis of the plays we’ve read (referring to at least four of them), how would you characterize Shakespeare’s attitude towards women?  What characteristics does he seem to hold up for admiration in women?  What does he have to say about the situation(s) of women?  Which character(s) seem best to exemplify Shakespeare’s conceptions of women?

 

4.  Consider The Winter’s Tale as a culmination of a career of playwriting.  What elements of this play does Shakespeare take from earlier plays that we’ve read?  (Discuss at least three other plays besides WT).   What is new or different about Shakespeare’s use of these elements here?  In what ways is the overall effect and theme of WT different from the earlier plays?

 

5.  One of Shakespeare’s recurring character types is a character who manipulates people or helps to control the action of the play by circulating among other characters and convincing them of fictions which then provide them with the circumstances and/or the motivation necessary for them to do what the controlling character wants them to do.  Sometimes this controlling character is a force for good, sometimes for evil.  Write a brief history (i.e., use the proper chronology of the plays) of this character type (and plot device) in Shakespeare’s work, discussing at least three plays.  In which play do you think this is least successful? Why?  In which play do you think it is most successful?  Why?

 

6.  In Shakespeare’s later plays, he seems increasingly interested in the issue of forgiveness (an issue not unrelated to mercy and justice).  Look at this theme as it manifests itself (both implicitly and explicitly) in Shakespeare’s work throughout his career (i.e., examine at least four plays).  What does Shakespeare seem to you to be saying about forgiveness?  How does he say it?  Comment on the characters’ transgressions, their forgivableness, and whether or not they are forgiven (and why). 

 

7.  Shakespeare seems to reflect his society’s consideration of the role of father as primary; he also seems to regard the role of the father as undergoing considerable stress.   Using at least four plays to supply examples, discuss the various factors that Shakespeare appears to consider as de-stabilizing the role of the father and, as a consequence, destabilizing society itself. 

 

 

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If you would like your exam returned to you (along with your final grade for the course), please bring a self-addressed stamped business envelope and tuck it into the blue book when you turn in your exam.  Unreturned exams will be stored in my office, and you can, if you wish, pick up yours if you can catch me in my office in May and/or June; they will be available during my office hours during the fall semester (TBA).  Those exams still in my possession on the eve of the winter solstice will be sacrificially immolated – along with the last rutabaga of the season -- in a bonfire to the goddess Bardophilia. 




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